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Working with Our Children’s Trust, Double Bind Media has been busy filming the recent court case, Held v. Montana. This past August the Judge on the case ruled in favor of Montana youths. In this landmark decision the court found that young people have a constitutional right to a healthful environment and that the state must consider potential climate damage when approving future projects. Our Children’s Trust is a non-profit public interest law firm that provides strategic, campaign-based legal services to youth from diverse backgrounds to secure their legal rights to a safe climate. This recent ruling in Montana will have widespread impact on litigation in other states with similar constitutional environmental provisions and Double Bind Media is already planning to film these cases as they work their way through the courts.
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Many of the students within the TRIO demographic often feel a sense of ‘imposter syndrome’ yet paradoxically this demographic constitutes a large percentage of Helena College as a whole. Since the COVID-19 pandemic shutdown, in-person filming was hampered. The film production transitioned to interviewing subjects remotely as well as asking them to document their experiences navigating the challenges of the shutdown itself. Surprisingly, the pandemic was revealing beyond this particular health crisis.
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The student filmmakers of the Humanities Through Film Summer Bridge Program present The People’s House, a documentary analyzing the past and present of the state Capitol to answer the question: who's in and who's out at the people's house? Appearing in over a dozen international film festivals winning several awards. Ari was the NEH Project Director and George was an instructor.
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How are we to understand the consequences of films that seemingly capture light in movement given how dominant light has been as a trope for truth?
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This film introduces artistic concerns about the limits of representation into the scientific production of images that are circulated and exchanged in the discourse on climate change. To those ends, we take serious and scientifically rigorous aim toward a potentially surrealist end: explaining climate change to a wolf in the Canadian wilderness.
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The project is a short, recycled footage film made primarily from closed circuit security footage, consumer electronic media, and 19th-century positivist photographs of ‘racial face types.’